Most Anticipated: Our 2020 Fall Nonfiction Preview

Edited by Judith G. Miller pp. Ann Arbor: University of Michigan Press. Each of the seven plays presented is preceded by a brief introduction by Judith G. Miller also speaks of color-related theatrical practices in France, practices which have no counterpart to how such work functions in, for example, the United States. Casts in his plays are racially mixed and, at times, even racially interchangeable.

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I should be back in school on the other side of the ocean…How dare you! And stakes? Forget your regular, run-of-the-mill life-and-death stakes. Thunberg was talking about nothing less than the death of our entire species. And if you choose to fail us, I say: We will never forgive you…The world is waking up.

sites dating back to the 17th century, as well as steel and glass skyscrapers piercing the skylines of its ultramodern cities. QUEBEC FILM SOURCEBOOK

It will take place June and feature participants — artists, leaders and scholars. The livestreams are accessible to the public beginning at p. Participants will hear from leaders in fields such as climate action, ecological economy and environmental humanities, and from theatre artists and leaders who have found innovative ways to engage with the climate crisis. Participants will create some of the performative aspects of the event.

This experimental international collaboration is made all the more unique by the arrival of COVID The intention of the Green Rooms is to offer innovative ways to gather online during a moment of crisis.

Exhibits & Collections

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This week on HowlRound, we continue our exploration of Theatre in the Age of Climate Change with more urgency than ever. With the looming eradication of climate science data from US government websites and the appointment of Scott Pruitt as head of the Environmental Protection Agency, Trump has indicated in no uncertain terms that the health of the planet and its inhabitants are of no concern to him.

As theatre artists, how do we respond? NYU professor Una Chaudhuri writes about a group of theatre makers and educators who have committed to looking at the world through a climate lens in the hope of acquiring new wisdom. Trump Nation, however, only intensifies our post-national impulse; its real source, dating from well before the last election, is the fact that the most pressing political issue of our times crosses all national boundaries. The accelerating symptoms of ecological devastation and climate chaos are global, planetary—post-national.

How can we evolve a ‘climate dramaturgy’ which goes beyond addressing the symptoms of climate chaos and instead begins to forge the new imaginations we will need in order to confront the long-term, unpredictable effects of those symptoms on our lives? We began by acknowledging that our previous attempts to get the larger theatre community engaged in this topic had been difficult. They tended to assume they knew what that would entail, and that it would be depressing, even when it came in the form of a sugarcoated pill, or a deft and elegant presentation of scientific information, or a lyrical ode to the vanishing green world.

How can theatre truly register the most important thing about climate change: the fact that as Naomi’s Klein’s book puts it “this changes everything”? How can we evolve a “climate dramaturgy” which goes beyond addressing the symptoms of climate chaos and instead begins to forge the new imaginations we will need in order to confront the long-term, unpredictable effects of those symptoms on our lives? The ubiquity and scale of the effects of climate change are shifting the terms and tone of the discussion around it.

While once there was argument about its existence, followed by argument about its causes, followed by arguments about what might be done in response to it, the discussions now focus squarely on how to get people and governments world-wide to act in time to avert the very worst of the predicted effects. A recent instructive contribution came in the form of a New Republic article by Bill McKibben , a leading voice in the climate movement.

Exhibits & Collections

Founded in , the festival is now in its 41st year. The festival, which runs until April 17th, will screen a variety of films, both from Athens and from around the world. The following Ohio University Film students and alumni have had their work selected to be screened in the festival:. For more information about the festival or to view the full schedule of films, click here.

The session was broken into sections of lecture and conversation, in which Stevens asked Young and Ryan questions about their experiences in the film, but also in their experiences as feminist kink performers, directors, feminists, and artists. This thesis, with the particular focus on Taiwanese films set in Taipei, investigates how the Taiwanese cinema, through its diverse treatments of history and memory, enacts its role as a cinematic interpretation of the envisioning of Taiwanese national identity within the transnational context.

Manhattan Theatre Source. Sep – Oct 2 months. New York, NY. Green Dating by Chantal Bilodeau, directed by Barbara Harrison. Panicked.

December 31, by RealLifeArtist. It has been a tough year for many communities around the world: politically, environmentally, economically, socially. This can only be a good thing. Or, rather, I mostly read and begrudgingly make time for other things, which I admit are important. As has been my practise for the last few years, I tracked my reading this year. Below is my record for in the form of a table.

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Pages Ov so er un 29 do ,17 ff 0 r cor ea ne de liu rs s in gm pri a nt il. Lenore has designed hair for magazine covers, catalogs, editorial pages, runway fashion shows and a one women Broadway play “Zelda”. If you like food truck cuisine, the Rural Hill Food Truck Rally March 20 is the place to chow down, let your kids run wild, learn about cooking over an open flame and grab a hay ride.

Green dating / Chantal Bilodeau ; 2 characters (1m, 1w). — Sisters / Per Brask ; 3 characters (3 women). — Cook / David James Brock ; 3 characters (1m, 1w, 1b).

Canadian plays have been written since the 19th century, both in English and in French. The present list comprises plays in English, some of which being translations from French Canadian plays. Full length and one act plays are included but not musicals. The Playwrights Guild of Canada has a large list of titles of copyrighted plays, included in the present one, mostly their own publications or those of Playwrights Canada Press. The year of the playbook in the present list corresponds to the printed form, but when this information is unavailable, it corresponds to the first stage production.

In rare cases, neither is available. In addition to traditional forms, Canada has a vibrant non-traditional theatre scene with notable experimental , fringe , and other alternative forms, the largest fringe festival in North America being the Edmonton International Fringe Festival. From Wikipedia, the free encyclopedia. Wikipedia list article.

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William E., Giraudeau Jacques, Leroyer Chantal, Hanquiez Vincent (). versions of the ECHAM model and implications for summer-green tree refugia. Identification and dating of a key Late Pleistocene stratigraphic unit in the St. Weber Me, Mayer La, Hillaire-Marcel C, Bilodeau G, Rack F, Hiscott Rn, Aksu Ae​.

Skip to main content Skip to side navigation Skip to site information. York University Spaces of Urban Agriculture: Reclamation of the commons or perpetuation of neoliberal power structures? York University Goddess Inc. Carleton University Cyborg Identity – How does the voluntary integration of technology into the body alter one’s identity? University of Ontario Institute of Technology Interrogation techniques: Do false confession change attitudes towards tactics? What Factors Influence This Phenomenon?

Simon Fraser University Assessing the impact of community energy and emissions planning on clean energy projects in B. Western University Exploring the relationship between parents’ wealth and children’s educational experiences. University of Saskatchewan An evaluation of the St.

VIFA – Chantal Bilodeau, New York